Imagine playing Castlevania or Super Metroid or even Mario Bros without the Original music? It just ruins the experience. Team Meat should have made concessions to keep the music. 50% of the charm of the game was the soundtrack and that's ruined now. Just pay the damned musician, patch in the OST and work out your differences for the fans, please. Super Meat Boy! - Official Special Edition Soundtrack, an album by Danny Baranowsky on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
Baranowsky at the 2016 Game Developers Choice Awards | |
| Background information | |
|---|---|
| Birth name | Daniel Baranowsky |
| Also known as | |
| Born | April 5, 1984 (age 35) Mesa, Arizona, U.S. |
| Genres | |
| Occupation(s) | |
| Instruments | Digital audio workstation |
| Years active | 2001–present |
| Associated acts |
|
| Website | dbsoundworks.com |
Danny Baranowsky (born April 5, 1984), also known as Danny B or by the company name dB Soundworks, is an American electronic music composer, composing music mainly for indie films and indie games.[2] He founded dB Soundworks to sell and promote his music. He is most known for providing the music for games such as Canabalt,[1]Super Meat Boy,[3]The Binding of Isaac,[4] and Crypt of the NecroDancer.[5] Baranowsky has also contributed to the soundtrack of the 2014 Amplitude remake.[6]
Career[edit]
Baranowsky first came into contact with video game music in 2001, when he became a member of online game remix community OverClocked ReMix. At this time, Baranowsky was hoping to become a film composer.[7]
When Adam Saltsman, who would later develop Canabalt, sent Baranowsky an incomplete version of Gravity Hook, which Saltsman intended to keep free of music, Baranowsky decided to write a track for it anyway. When Baranowsky sent 'Track A' back to Saltsman, he was really impressed by the music. After finishing the soundtrack of Gravity Hook, Saltsman introduced Baranowsky to Edmund McMillen, for whom he later composed the soundtrack of Super Meat Boy and The Binding of Isaac.[7][8]
He co-composed Desktop Dungeons with Grant Kirkhope and composed the entirety of the Crypt of the Necrodancer soundtrack.
Reception[edit]
Rory Young from Game Rant described Baranowsky as 'amazingly talented' because of his work on Super Meat Boy.[9]
Discography[edit]
Albums[edit]
| Title | Album details |
|---|---|
| dannyBsides |
|
Soundtracks[edit]
| Year | Date | Name | Type | Notes |
|---|---|---|---|---|
| 2010 | January 26 | Canabalt | Video game | |
| March 5 | Gravity Hook HD | |||
| July 29 | Gravity Hook | |||
| October 16 | Once Upon A Pixel - KOOPA | Web series | ||
| October 23 | GLORG | Video game | ||
| October 27 | Super Meat Boy | |||
| November 4 | Das Cube | |||
| November 5 | Hey Ash, Whatcha Playin'? (Season 2 Finale) | Web series | ||
| November 10 | Steambirds | Video game | ||
| November 24 | Anthony Saves the World | Web series | ||
| December 14 | Blush | Video game | ||
| December 14 | Time Donkey | |||
| 2011 | March 18 | Friday (Lost NES Game Version) | ||
| July 12 | Singularity Collapse | Short film | ||
| September 28 | The Binding of Isaac | Video game | ||
| November 8 | Cave Story 3D | |||
| November 25 | Super Meat Boy (Special Edition) | |||
| 2012 | April 3 | Parallax | Short film | |
| September 4 | AVGM (Blooba Doop Scooba) | Video game | ||
| 2013 | April 3 | The Adventures of Dash | ||
| October 31 | Desktop Dungeons | In collaboration with Grant Kirkhope. | ||
| 2015 | April 21 | Crypt of the NecroDancer | ||
| 2016 | December 9 | ROCKY | ||
| 2017 | January 24 | Crypt of the NecroDancer: AMPLIFIED | DLC content from the game. | |
| 2019 | June 13 | Cadence of Hyrule[10] |
References[edit]
Super Meat Boy Free Download
- ^ abDavid Lloyd; Cain McCormack; Jimmy Hinson (2009-11-13). 'ReMixer Interview: Daniel Baranowsky'. OverClocked ReMix.
- ^Jim Sterling (2012-03-21). 'Podtoid 194: Dick Pixels (with Danny Baranowsky)'(podcast). Destructoid.
- ^Patrick Gann (2011-01-26). 'Danny B Says 'Nice To Meat You!' – Super Meat Boy OST Review'. Original Sound Version.
- ^Kirk Hamilton (2011-12-22). 'The Best Game Music of 2011: The Binding of Isaac'. Kotaku.
- ^David Hinkle (2013-08-31). 'Pounding beats and dragons in Crypt of the NecroDancer'. Joystiq.
- ^Saed, Sherif (2014-05-19). 'Amplitude reboot will contain music by Jim Guthrie, Danny Baranowsky, more'. VG247.
- ^ abLahti, Evan (2011-04-04). 'Behind the music: an interview with Super Meat Boy composer Danny Baranowsky'. PC Gamer.
- ^Damigella, Rick (2011-05-30). 'Nice to Meat You – Interview with Super Meat Boy Composer Danny Baranowsk'. G4 TV.
- ^Young, Rory (2010). 'Super Meat Boy Review'. Game Rant.
- ^Weidner, Matthew (March 20, 2019). 'Cadence of Hyrule brings Crypt of the Necrodancer and The Legend of Zelda together in style'. Nintendo Wire. Retrieved March 21, 2019.
External links[edit]
| Mighty Jill Off | |
|---|---|
| Developer(s) | Anna Anthropy |
| Designer(s) | Anna Anthropy |
| Platform(s) | Windows, Mac OS X |
| Release | 2008 |
| Genre(s) | Platform |
| Mode(s) | Single-player |
Mighty Jill Off is a 2Dplatformindependently developedfreewarevideo game designed by Anna Anthropy, with art by James Harvey and music by Andrew Toups. It stars a submissive named Jill, who has a boot fetish and is forced to climb up a tower after her Queen kicks her down it as punishment. Jill does this by jumping and slowly descending over obstacles. Jill can be defeated in one hit by these obstacles, but will return to the last check point. The game serves as an homage to the 1986 arcade game Mighty Bomb Jack. It had follow-ups, such as Mighty Jill Off - Jill Off Harder Edition and Jill Off With One Hand. Jill made a cameo appearance in the 2010 video game Super Meat Boy as a playable character.
The game's BDSM and lesbian themes were implemented by Anthropy, a BDSM practitioner, for the purpose of providing legitimate 'dykes' in video games. She also made the game difficult, to fit in with its BDSM theme. James Harvey attempted to make this game appealing for the BDSM community. Mighty Jill Off has received praise for its BDSM themes from critics of websites such as Rock, Paper, Shotgun and Game Set Watch. It was also praised for its high level of difficulty by editors of GamesRadar and Bitmob. 1UP.com included it in its list of favourite free PC games of 2009.
Gameplay and scenario[edit]
Mighty Jill Off incorporates several BDSM themes. It stars a submissivelesbian named Jill who has a boot fetish.[citation needed] She is kicked to the bottom of her Queen's tower for acting like a 'greedy slut'. Jill attempts to climb back up the tower and return to her Queen; once there, she is given affection, constricted and gagged, and made to do it again.
Some of Mighty Jill Off's gameplay is borrowed from the 1986 arcade game Mighty Bomb Jack as a tribute.[1] Players control Jill in only three ways: moving, jumping, and slowly descending. In the air, players may cause Jill to slowly descend by rapidly pushing the jump button while pointing in the direction that they want her to go. Players can switch direction while they do this.[1] There are three types of obstacles: spikes, fire, and spiders; the latter can move to attack Jill when she comes close.[2] Coming into contact with these obstacles kills Jill instantly, forcing her to start at the most recent checkpoint—typically located at a change in room. There is only one level in the game, but with several rooms in it. The screen scrolls vertically with Jill as she ascends up the tower. Each room transition is demonstrated by a change in the room's background colour. Jill has infinite lives, allowing players to play as long as they like without having to start the game over.[1]
Development[edit]
Mighty Jill Off was designed and developed by American video game designer and critic Anna Anthropy, also known as Auntie Pixelante, in 2008. James Harvey provided the artwork for the game, while Andrew Toups created the music.[3] Anthropy designed Mighty Jill Off to feature 'dykes and perverts' to make up for 'the distinct lack of real dyke characters and dyke desire in games'. She argued that while 'supposed dykes' are seen in commercials, these characters are 'written and drawn by men'. She said that 'they don't look like us, they don't express themselves like us, they don't lust like us.'[4] Anthropy compared the challenge of players who lead Jill through the game as similar to the challenges of a top who leads the bottom through a scene.[5]
Meat Boy
Art design[edit]
While the character artwork for Mighty Jill Off was created by James Harvey, Anthropy first designed Jill in sprite form. Harvey was initially wary of doing work that was BDSM-themed; he felt that it was easy for something that is both cartoony and sexual to make viewers feel uncomfortable and used the Japanese harem anime genre as an example. He added that in humorous, sexually-oriented cartoons, there is a 'fine line' between 'cute and funny' and 'repulsive'. He wanted to design the relationship between the Queen and Jill in a way that people in the BDSM community could identify with it, while also avoiding putting people off who were not into BDSM. He used European comics as a model for his art work, which he admired for the 'permissive attitude they have to sex in cartoons'. He also cited as inspiration specific Japanese cartoonists who he felt had successfully portrayed sex in animation such as Monkey Punch, the creator of Lupin III.[6]
Harvey designed the Queen based on a loose description by Anthropy. He wanted to make her 'sexy and authoritative' and to look like a 'fully grown human with relatively realistic proportions'.[6] He designed her to be an 'amalgamation of every lesbian friend' he had 'secretly been attracted to'.[7] He initially designed her with a veil, but felt that this was too superfluous and girly; he decided to adorn her with spikes instead.[8] He attempted to design the title screen's background to 'emphasise the drama of [the] situation, or to expressionistically[sic] symbolise the characters in the scene'. However, there were some hurdles; he originally envisioned the Queen's tower to be a smooth, straight one, but felt that it would be too phallic, which would be meaningless symbolism given the game's content.[8] Anthropy and Harvey held a contest for people to contribute fan art for the game; the five winners won hand-made Mighty Jill Off activity books, which included activities such as creating make-out partners for a group of 'repulsive, tongue-waggling oafs', as well as writing a poem for the game's Queen. He scanned one of the books and posted it online, allowing others to contribute and send in their drawings. The book features several BDSM-related themes.[9]
Harvey was split between two designs for Jill. He either wanted to depict her as a 'funny little megaman character' or a grown woman; however, both approaches had their own pitfalls. He felt that the former could come off as too much like Japanese lolicon-styled art, while the latter could make the story seem too serious. The Queen's more realistic design made him question whether a child-like Jill would be appropriate.[6] He designed several versions of Jill with different proportions and sent them to Anthropy so she could pick her favourite. He compared two of the designs to Nintendo characters Mario and Link; the Mario-like design he called a 'standard video game design', while the Link-like design he called 'slightly realistic'. The Link-like design was the most realistic design that he did because he felt that making it too realistic could make it too difficult for players to identify with, and could diminish the humorous elements of the game.[6] He also intended to design her as 'dumpy and podgy' to make her more 'lovable'.[6]
Anthropy told Harvey that she preferred characters with more realistic proportions; as a result, he ended up with a design that was three and a half heads tall. Due to her submissive position, he designed her to be an 'innocent' who looked 'eager-to-please', with 'benign, wide eyed facial expressions'.[7] The evolution of her design resulted in Harvey having to redesign her appearance on the title screen.[8] He employed different colors to demonstrate Jill's feelings for the Queen; he used a rose tint to demonstrate her 'blissful display of affection' while using a grey wash to demonstrate her sadness.[8] Harvey intended to add some red to her rubber body suit order to make her stand out from the background; however, he felt that this made the suit look more like a 'crazy wrestler costume'.[6] He later thought to include grey in the design or to put her initials on her chest, but decided on using an all black design. One of the difficulties of designing the suit was to make it look shiny without resembling 'gross lolicon manga porn'.[7]
Super Meat Boy Different Musical
Follow-ups[edit]
A harder version called Mighty Jill Off - Jill Off Harder Edition, was released in October 2008, 8 months after the original version.[10] Anthropy compared it to the Nintendo game Super Mario Bros.: The Lost Levels which was noticeably more difficult than its predecessor, Super Mario Bros. She made it with the intention of reusing assets from the original game such as sprites and backgrounds but making sure that none of the challenges were recycled.[2] She also made a follow-up called Jill Off with One Hand, which features 'OneSwitch' gameplay, a type of gameplay which requires only one button to play.[11] It was created over the course of Buy Nothing Day and was created with the intent of making it playable on mobile phones.[11] The protagonist Jill was featured in the 2010 platform game Super Meat Boy along with several characters from other games.[12]
Reception and promotion[edit]
Mighty Jill Off has received generally positive reception. Retronauts' Jess Ragan praised Anthropy for her understanding of what made Mighty Bomb Jack good.[13]1UP.com's Scott Sharkey listed Mighty Jill Off as one of his favourite independently-developed freeware games in 2009.[14]Gamasutra listed it as one of their runners-up for the top five best indie games of 2008.[15] On two separate occasions, IndieGames' Tim W. listed Mighty Jill Off as 'game picks'; first for the original version, and second for Mighty Jill Off - Jill Off Harder Edition.[10][16]GamesRadar's Nathan Meuiner listed the game as one of the 'most ruthlessly punishing indie games' and wrote that the difficulty level may make players question whether the 'pain of a million deaths is worth the pleasure awaiting' players.[17] Bitmob's James DeRosa called it 'tough-as-s***' and gave credit to Anthropy for coining the genre 'masocore'.[18]
The game has also received praise for its insight into BDSM and the dom/sub relationship. Rock, Paper, Shotgun's Kieron Gillen called it an 'interesting examination of the master/slave relationship'.[1]Rock Paper Shotgun's Alec Meer described it as a 'wry, subversive examination of why video game protagonists put themselves through a torturous amount of struggle to reach their objectives'.[19] James DeRosa praised Anthropy for her implementation of elements and ideas that most games do not cover and called it a 'hypersexualized, bondage-themed platformer' with which Anthropy 'explores the power dynamics of sexuality and disassembles essentialist male and female sex roles as portrayed in video games -- as well as the significance of difficulty and reward as a design method'.[18]
References[edit]
- ^ abcdGillen, Kieron (2008-09-17). 'Whip It: Mighty Jill Off'. Rock, Paper, Shotgun. Archived from the original on 2010-11-09. Retrieved 2010-12-08.
- ^ abAnthropy, Anna (2008-10-15). 'jill off harder'. Auntie Pixelante. Anna Anthropy. Archived from the original on 2011-06-13. Retrieved 2011-04-25.
- ^'Mighty Jill Off'. Anna Anthropy. Archived from the original on 2011-02-09. Retrieved 2010-12-08.
- ^'Anna Anthropy interview – Auntie Pixelante is in the house!'. Lesbian Gamers. 2008-12-19. Archived from the original on 2010-11-28. Retrieved 2010-12-08.
- ^Alexander, Patrick (2008-09-23). 'Interview: Anna 'Dessgeega' Anthropy'. Eegra. Archived from the original on 2011-07-10. Retrieved 2010-12-08.
- ^ abcdefHarvey, James (2008-03-15). 'Mighty Jill Off'. James Harvey. Archived from the original on 2011-08-17. Retrieved 2010-12-08 – via LiveJournal.
- ^ abcHarvey, James (2008-03-17). 'Unseen Jill Off - Part 2'. James Harvey. Archived from the original on 2011-08-17. Retrieved 2010-12-08 – via LiveJournal.
- ^ abcdHarvey, James (2008-03-22). 'Mighty Jill Off - PART 3'. James Harvey. Archived from the original on 2011-08-17. Retrieved 2010-12-08 – via LiveJournal.
- ^Caoili, Eric (2009-04-29). 'Mighty Jill Off Activity Books'. GameSetWatch. Archived from the original on 2011-09-09. Retrieved 2010-12-08.
- ^ abTim W. (2008-10-25). 'Best Of Indie Games: Ready, Set, Jill Off'. GameSetWatch. Archived from the original on 2010-01-22. Retrieved 2010-12-08.
- ^ abAnthropy, Anna (2008-11-29). 'jill off with one hand'. Auntie Pixelante. Anna Anthropy. Archived from the original on 2011-06-13. Retrieved 2010-12-08.
- ^Caoili, Eric (2010-10-20). 'Fetus Juice, Indie Cameos In Super Meat Boy Launch Trailer'. GameSetWatch. Archived from the original on 2010-10-31. Retrieved 2010-12-08.
- ^Ragan, Jess (2010-07-11). 'Spectrum Analyzer: Bomb Jack'. 1UP.com. Archived from the original on 2012-07-31. Retrieved 2010-12-08.
- ^Sharkey, Scott. '101 Free Games 2009: The Best Free Games on the Web from'. 1UP.com. Archived from the original on 2011-08-05. Retrieved 2010-12-08.
- ^'Gamasutra's Best Of 2008: Top 5 Indie Games'. Gamasutra. 2008-12-12. Archived from the original on 2010-11-09. Retrieved 2010-12-08.
- ^Tim W. (2008-03-01). 'The Weblog - Freeware Game Pick: Mighty Jill Off (dessgeega)'. IndieGames. Archived from the original on 2012-03-14. Retrieved 2010-12-08.
- ^Meuiner, Nathan (2009-07-15). 'Most ruthlessly punishing indie games'. GamesRadar. Archived from the original on 2012-10-10. Retrieved 2010-12-08.
- ^ abDeRosa, James (2010-12-02). '5 Tough-As-S*** Indie Games Referenced in Super Meat Boy'. Bitmob.com. Archived from the original on 2011-08-15. Retrieved 2010-12-08.
- ^Meer, Alec (2009-08-04). 'Don't Squeal, Piggy: When Pigs Fly'. Rock, Paper, Shotgun. Archived from the original on 2010-11-09. Retrieved 2010-12-08.